bzedan: Cropped image of suspenders worn over collared shirt (me)
2013-07-14 07:40 pm

Project Dayshoot: what I’m doing on Monday

I grew up in a small town in South-ish, Central-ish Willamette Valley. Then I moved to another small town and lived there for a long time. While Chase and I lived in Forest Grove I documented the places we went and the drives we took. Part of me always wanted for the WPA to happen again, or to figure out a grant for us to just drive and document.

Now, we get to (or, more properly, Chase gets to and I get to assist and document) be part of Project Dayshoot. July 15th will be the 30th anniversary of “over 90 photographers spen[ding] 24 hours capturing daily life throughout the state of Oregon.” There’s even a book, One Average Day, full of photos taken by photojounalists on a day when I was a couple of months old.

Some fave shots from 'One Average Day' from top left: two club folks at Quality Pie in Portland (Marv Bondarowicz), an aide and a patient at Oregon State Hospital in Pendleton (Robert Pennell), Vera Katz in Salem (Michael Lloyd), an articulated bus and mo

Nobody shot in the town I grew up in (or, more properly, that I grew up just outside), because it was just a little place with a mill. Not that it super matters, those photojournalists did a fabulous job documenting the “people, places and pastimes” of Oregon in the early 80s. It’s a costumer’s dream, because the smaller towns still dress late 1970s on the edges. But here is Project Dayshoot’s statement:

On July 15, 1983, over 90 photographers spent 24 hours capturing daily life throughout the state of Oregon. Project Dayshoot was the name of this venture, and it produced a book entitled One Average Day.

To commemorate the 30th anniversary of Project Dayshoot, the original photographers—plus new contributors—are being organized to capture images throughout Oregon on July 15, 2013. This page, in conjunction with the e-mail address below, is the location for all information related to the project.

Any proceeds from the sale of materials relating to this project will benefit the Oregon Historical Society.

Chase, being a professional photojournalist for the past eight (nearly nine) years, was asked to participate. And, because we already do stuff like this for fun, we have a plan. Other than two scheduled-ish places we’re going to hit, the only goals are the little nowhere towns on the way to and along the coast.

A lot of people, after Chase told Dayshoot where he was going, decided to hit the coast, interestingly enough. It doesn’t matter because we’re not going to stay and make love to the popular places, the biologists, or the noble logger. We’ll be on the move all day (starting at midnight tonight), finding and shooting the things we like to shoot.

And then, when the day is done at midnight on July 15th, we’re on a mini vacation. Not that we’ll stop taking pictures. You can’t break a combined thirty year habit of photographing everything you can.

Fair warning for those following me on social media, I’m cross-linking everything all day tomorrow. So you’ll be able to see what I can upload whenever I get a signal at:


And, if you feel so inclined, document your part of Oregon and hashtag it #dayshoot30. Be part of history and support the Oregon Historical Society! Just remember to note when, what and where you’re shooting.

Mirrored from Journal of a Something or Other.

bzedan: Cropped image of suspenders worn over collared shirt (me)
2013-05-23 09:36 pm

And to think my intentions were so good

So, I saw a sweet little moment at the Medieval Faire in Forest Grove.

Magic balloon

And I was like, “I’m gonna paint that all Norman Rockwell stylez.” Because I miss painting. It was fun. I super love using using my Instagram as a documentation of process.

The whole painting process

But everything is the Loc-Nar, for me, so. The feeling sort of changed.


I do love how this turned out and I decided that since the original is just getting filed away somewhere I might as well make it available to get as a print at Society 6, if you are a creepy fuck who likes to spend money. Or a wonderful person. You could be a wonderful person who likes to spend money too.

Mirrored from Journal of a Something or Other.

bzedan: Cropped image of suspenders worn over collared shirt (me)
2013-04-20 12:24 pm

Even so, went through it in about a day and a half

Each year, around my birthday, I allow myself one box of cereal. This year it’s wheat Chex, because I live an exciting life.

Even though we break the “no-grain” rule with some regularity, simply not having specific foods (like: cereal, loaves of bread and, as of this year, tortillas) in the house has gone such a long way to prevent too-easy meals and snacks from being relied on. It creates a space where new food habits are built.

A special bonus is that we’ve effectively stripped all my comfort-binging foods from the house. This simultaneously prevents me from indulging and sneakily re-teaches my insides what “full” and “too much” are. So when I give myself the gift of enjoying a box of cereal for my birthday I’m very aware of not only how awesome and deliciously textured it is, but when it’s time to stop refilling the bowl.

Yearly box of cereal is a lesson and a reward.

And, since I’ll have gone through this box rather quickly, nonetheless, I also am very aware why I don’t keep it around. It’s like seeing an ex at a social function. Sure, you get along pretty well and look at how you both avoid Those Topics and yeah, it’d be nice to bang again but outside of that controlled environment you know it would end in tears and torn-out weaves.

So yeah, cereal knows exactly how I like it but can choke its opinions on politics, y’know?

Mirrored from Journal of a Something or Other.

bzedan: Cropped image of suspenders worn over collared shirt (me)
2013-04-03 12:31 pm

(no subject)

Even though we’re no-grain there’s a jar of white flour in the cupboard. It’s a vital part of a lot of my crafting, mostly in flour glue for papier mâché. What I forgot that it’s great for, until recently, was salt dough.

Woo, salt dough.

I used to sculpt a lot, with polymer clay. I still have a good bunch of polymer clay, but most of it is old and pretty much useless (the problem with an attic being your studio, there’s a lot of extreme temperatures). So when I got the bug to sculpt some things some months ago, conditioning clay that had a 50% chance of turning into a texture I liked wasn’t really something I wanted to do. So I checked the proportions (1 part salt to 2 parts flour, enough water to make it a “dough”) and made a batch.

Making salt dough.

It’s fabulous stuff to work with, silky but with a good body, sticks to itself with water, the only draw back is how it takes FOREVER to dry, in or out of the oven. From some of the feedback my snaps on Instagram got I gathered that a lot of folks must have played with it growing up.

One of the reasons I got into papier mâché was that it was a media that didn’t cost anything. I needed to make “art” for school, there are copious free weeklies around a campus and I was baking bread so there was always flour (which is stupid cheap in bulk, anyway). I’ve spent maybe 15 years just collecting junk to make things with, the home craft media of papier mâché and salt dough fit perfectly into my world-view of making things out of what you’ve got (sewing is where this breaks down for me, ohhhh fabrics and notions, you dirty temptresses).

I miss sculpture a lot, it’s what I relate most media to, from sewing to painting. Which, I guess that’s obvious in how a lot of my sculpts turn out. I pretty rarely start with a plan, it’s all enjoying the process of making something.

There is a plan.

Anyway, my point is this. I’ve never seen anyone waste their time playing with clay. I’ve seen fabulously ugly beasts formed lovingly, shapes built and destroyed in endless cycles, the surprising genesis of something amazing. But always there’s something, never nothing, even if you junk it all at the end.

If you’ve got a free evening and a bit of flour and salt on hand (ideally at least a quarter cup of flour), give it a try. The worst thing that could happen is you add too much water and end up with soup. But if you only add a little water at a time you’ll be fine. I mean, if you’re doing this in your home, nobody will see the stupid stuff you make. You don’t have to prove skills to anyone, just let yourself play.

Mirrored from Journal of a Something or Other.

bzedan: Cropped image of suspenders worn over collared shirt (me)
2013-03-19 04:34 pm

The Pink

Based on The Pink, collected by the Grimm brothers. The original is an Aarne-Thompson type 652, The Boy Whose Wishes Always Come True.


One moment, I existed.

The moment before that I wasn’t even a thought. It’s a different thing, to not exist. It’s not all nothingness, that’s for sure. Nothing is something, if it’s the absence of it. It wasn’t all that jarring to suddenly be, but my mind was full with being around finite things, with just being. I wasn’t, then I was. I wondered if, from then on I couldn’t ever not have been.

The first words I heard were that I was so beautiful a painter couldn’t do my face justice. I didn’t know how to respond to that, for various reasons. Then the man who’d spoken patted a boy on the head and wandered off. The boy and I stared at each other. I wiggled my fingers and toes, not ready to look at them yet. I think we stood there a while, regarding each other. Something friendly broke through the boy and he took my hand and showed me around.

I learned we were children, of about the same age. He chattered at me about how he’d been stolen, his mother framed for negligence and locked away. The castle and grounds we walked had been asked for by the captor and wished into existence by the boy. It turned out I’d been wished for as well, to be a friend and playmate.

“I’m glad you turned out pretty,” he told me.

So we bided time, living a lazy existence not really worthy of itself. We rode horses, I gathered flowers while we walked the gardens, I took up needlework. I liked needlework, because I could pretend to create things, when I was really just transmuting thread into designs, flat fabric into dimensional, purposeful shapes. My work scattered around the house, marking the passing of time as a runner laid itself across the table, a cloth appeared over a basket of bread, doilies insinuated themselves under vases and knick-knacks.

I realised early on that my own position in the castle was on par with the aprons I made—we both were fancy things created to ease the wear of daily life on more valuable things. I listened to the prince talk and did not ask aloud why we lived here with his abductor when he knew his mother lived in punishment for the supposed death of her child. Sometimes the prince said he missed his father, but I don’t know if he meant it.


There were no servants. Meals appeared, rooms became clean when you looked away, dust never collected and the gardens tended to themselves. We didn’t see much of the man; he was always out hunting, or studying maps, or flowers, or something.

There were originally no books in the castle, because the prince didn’t care for them. The library had false shelves lined with sheets of pretty-coloured spines. The man had the prince wish him books, once, but their insides were blank. Perhaps the prince was being petty. Perhaps if the man had wanted specific books, the boy could have wished them. His wishes seemed to take care of themselves. I had a heart that beat, I ate and eliminated. My anatomy was a female’s, though the prince when wishing me, had been fully ignorant of what that might consist of. I was like the books though, empty. I never bled with the moon. The man asked once about it, I wouldn’t have known it was a missing function otherwise.

So we lived and existed. The prince told me he loved me and I told him I loved him. I doubt he meant it more than I did, but he seemed to believe what was said. The prince mentioned his father more regularly and the man became more anxious, spending more time hunting.

One day the man found me alone and told me to kill the prince. I told him I could not, that I saw no reason for it, as the prince had never harmed anyone. The man threatened my life and left. When he next returned from hunting and saw the prince and I playing dice, the man held my gaze, mouthing again his threat to my life.

He repeated his command the next day before riding out. When he’d gone into the woods I asked the prince to wish me a deer. He did it without question. I butchered the animal, cutting out its tongue and heart, setting them on a plate.

“You could have just asked for those,” the prince commented, turning the plate so a ray of sun lit the blood like jewels.

I shrugged and we went about our day until the man was due home. The prince hid and I held out the plate to the man as he entered, removing his gloves.

“You’ve killed the prince as I asked, then?” He did not take the plate. We regarded each other a moment before the prince emerged from his hiding place and swore at the man, whose face turned white.

The prince wished the man into a dog and fed it coals, but it did not die. Looking at the beast sobbing on the tile, the prince told me he was going to return to his father, the king. I hesitated joining him, for I’d never been off the grounds of our wished-for home.

But the prince wanted me, so he wished me into a flower, put me in his pocket and went on his way. I didn’t know of his adventures in travelling, or what kind of flower I was, or if the castle continued to exist after we left it. I found out most things later, but not what happened to the castle.


Being a flower was not like being a human and it was also unlike not existing. There was still an “I.” I was a flower. As flowers measure it, I was a flower for a very long time.

When the prince wished me human again I was standing on a table and the first words I heard were that I was so beautiful a painter couldn’t do my face justice. I looked at those seated along the table and lining the walls. At my feet sat a tired old man with a crown. The prince stood next to him. The dog who had been a man was not there. All the rest totalled more faces than I’d seen in my existence.

Four more strangers led in a woman whose eyes held nothing behind them. From the prince and king’s conversation with her, she was the falsely accused queen. The little family talked there at the head of the table while all the court looked on, straining their ears. I remained standing on the table, but no one seemed to notice.

The queen died some days later and the king soon followed. The prince became king and married me, I accompanied him on walks through the gardens, or stood by his side in court. I went back to my needlework.


I wonder what will happen to me after he dies. Will I keep existing? I have asked, but nobody knows if the castle we once lived in still exists even though it stands empty and the prince has forgotten it. If I stop existing, with the things I make with my hands still exist? Will the little cloths that cover the chair arms still protect them from dirt, the lace still keep the sharp legs of vases from scratching the woodwork? I worry that if the king dies, the things I have done will come undone.

Mirrored from Journal of a Something or Other.

bzedan: Cropped image of suspenders worn over collared shirt (me)
2013-03-13 10:46 pm

I’m not going anywhere yet, I’m still here

I never actually wanted to live in Portland. I just knew it’d be a better choice. Like I knew it was a better choice to wait longer and save more before moving to L.A., even if it meant Chase moved down there a couple years before I did.

I think the last time I was in California I was 16. Maybe even 15. Somewhere around then my dad’s family stopped being my family and there was no reason to go south. If you’ve grown up in Oregon, California is sort of looked down on. That’s where the rich live and they don’t know how to drive and they move up here and steal our land and you can’t bring fruit with you forgodssakes.

Like anything adults looked askance at, California gained an aura of the forbidden. Not that I didn’t shit-talk it, which Chase straightened out pretty quickly. He did it the same way he made me stop making fun of Led Zeppelin: by making me actually listen to them. He told me about where he grew up, south of San Diego, and I added to my childhood memories of Northern California campgrounds and the overwhelming maze of San Francisco. California became a place, instead of an idea.

It’s the opposite of everywhere I’ve ever lived, dense populations, desert and south, beaches not coasts. When Chase and I drive through the country around where we used to live I look at the trees and the dense, black-green coastal range, wondering what life will be like without them. I don’t think I’ll miss the trees. There are plenty of trees.

There’s a lot of hate for Southern California, as though it were a bizzaro-world Pacific Northwest and therefore a nemesis. It’s too different, too crowded, too hot, too expensive (though rent-wise, really, it’s about the same). I have to justify my plans to semi-strangers and hope that they see the deadness in my eyes and stop wondering why I just don’t like it here.

I had a conversation once with someone about why he was in New York and why I wanted to move to L.A. It really came down to wanting to live somewhere you’d like to live when the world ends.


Not that I expect the world/society to cinematically end in the place of my choosing, but really, the thesis is sound. I’d be pretty bummed if it turned out I never got to leave the PNW. Sure, I think it’s a great spot for post-apocalyptic fiction, but not for me.


I lied. California is still an idea. Hasn’t it always been? It’s a world of artifice, but everyone is in on the construction, their imaginations and dreams as much a part of the skeleton as poured concrete and palm trees.

I think there are two kinds of people, at least as far as this exercise goes. There are the ones who read West’s The Day of the Locust and think “god, what a terrible place.” And then others read that short, sharp story and feel a noose tighten around their guts, dragging at them.

Here’s the thing. I could settle comfortably in the PNW or I could push myself and struggle and grow in L.A. I’d rather fail than settle. And—this is crazy—if, after some years I find that I long to once more reside in the verdant, motherly and non-judgemental embrace of where I grew up, I could always move back. It happens.


It probably won’t.

Mirrored from Journal of a Something or Other.

bzedan: Cropped image of suspenders worn over collared shirt (me)
2013-01-15 08:02 pm

I mean, everyone pronounced it “gime” as a kid, right?

The summer after freshman year at college I lived on campus, renting a dorm room for a stupidly high amount of money. My roommate was a member of the wrestling team (as much as I loved There’s A Girl In My Hammerlock, I never understood the weirdness of females on wrestling teams, every school I’ve been to had a skilled number of ladies who wrestled) and we went to the gym together. Every day.

We alternated upper and lower body circuits, she’d out-lift me for upper but she ended up hurting herself trying to match me for lower. Every evening we’d go on a two mile run. I loved it. I’ve always been a closet jock, physical activity is super fun for me and lifting stokes the fires of my machismo.

When we still lived in the suburbs and I had a four hour public transit commute, I donated enough to the university to get a “free” gym membership to their student facilities, which weren’t fantastic (the setup was still the same as that summer I went every day) but I was also paying way less than if it was a real gym. Besides, all I wanted from it was access to an elliptical machine.

I’ve got some hip issues that mean running on pavement is not the best thing for me anymore, but the elliptical? I can sprint on that fucker. The joint issues I was having then went away and then we moved to the city. That was great. I could walk to work (about three miles round trip), keeping up a level of activity. I walk really fast, enough to sweat and probably at a speed just below a jog if I could figure out what a jog is.

Then my work moved and it was back to the bus. So I figured out a commute that got me three miles walking, with some bus in between. But the weather got shitty, my job got more administrative and more often than not I was walking just a mile and a half. And apparently that combination of things was enough to bring back the joint issues. So I did my PT and after I’d finished all my sessions my other damn leg started being slow to react and other terrifying things. Ooh, plus my shoulder was getting pretty fucked for no reason. Good times.

So I finally did something I’ve always wanted to do. I crunched some money numbers and joined a gym. I picked Snap Fitness because there is one close to where I work, they have no start fee and my insurance gave me a slight discount on the monthly payments, which were already cheap.

For the price of taking Chase to dinner once a month, I can go to the gym every dang day instead (but probs 3x a week).

The branch I go to is owned by an adorable young couple, I have 24 hour access, I could go on and on about how the whole thing is laid out the same way you would a gym on a space ship and the only bummer is they don’t have overnight lockers. But mostly? They have machines that adjust to my size with useful pictures of proper form and what stretch to do. They have an assisted chin up machine which holy mother of everything. And they have elliptical machines.

The first day I limped to the gym and could only do 15 of the standard 20 minutes I like to do. Lowest level. The machines were easier and I could at least be proud of myself for maintaining good form, going slow and still doing a number of sets and reps that I find acceptable. That was about a week ago. I’ve gone three times since as my plan is to go on my Monday/Wednesday/Friday equivalents after work.

Picture 2

Yesterday I ran easy for a full 20 minutes and the four minute cool down, I can probably up the level next week. I’ve gone up weight on the machines to an amount I won’t tell you but is almost a third my weight. I’m not limping, stairs aren’t terrifying, my shoulder still hurts but in the way that means it’s getting better. I’m not 100% but shit, I’m close.

What the sweet fuck? I mean really. That’s not a lot of work for an amazing amount of progress. One of my co-workers called the gym my vice (mind you, I had been saying that after the gym I get Starbucks and then have a cigarette because I like to live the lives I saw on TV when I was young) and you know, for me it is, in the best way. I’m even eating the cursed mana of bananas or yoghurt after the gym so my muscles don’t get sad. I hate both those things so much I swear out loud while consuming them. It makes me so damned happy to work out and I don’t really know why, but since I get all sorts of positive rewards for it, I’m not complaining.

Mirrored from Journal of a Something or Other.

bzedan: Cropped image of suspenders worn over collared shirt (me)
2013-01-02 08:35 pm

Hey, 2012 happened, what?!

I tend to feel like I don’t make enough or do enough creative work. Compared to the output I used to do, I don’t. I try to remind myself that it’s okay! I work a fulfilling, creative job and sleep more and am pretty much happy. But it bums me out, especially since so many folks I know are constantly pumping out notable, awesome work. So when I sat down with my Flickr archive for this year (because Flickr has been my memory bank for years now), I didn’t expect much. This was the year I stopped doing focus months, I mean, how much could I have done?

Turns out? A decent amount.

Focus month: Branding Ma-Mé. I built and did the branding work for a friend’s site. It was super fun and I got paid for it! I like making other people’s ideas because I just like making stuff more than thinking of what to make.

Non-focus things made:
• I painted a painting that I then slid behind a bookcase, because I couldn’t throw it away, but why keep it?
• A TARDIS piñata for a dear friend. This has been re-Pinned on Pinterest about a million times.
Tardis piñata


Focus month: Airbrush! I have an airbrush and love it, but spent this month really learning it.

Non-focus things made:
Rebuilt arbour in yard.
• Murder-wall anniversary present for Chase.
Anniversary present, murder wall


Focus month: Mending & old work. Cleaned a bunch of stuff, got rid of a bunch of stuff, a really great feeling.

Non-focus things made:
• I did get a wig that is now my web avatar wig. God, I love this fake hair.
• Wrote a short-short.
Finished serialising the first draft of The Audacity Gambit.


Focus month: Chase’s show production, in which I showed you nothing.

Non-focus things made:
• Nothin. But I did start using Instagram.
Found my balloons and pump.


Focus month: Embroidery. Which was fun, but not a lot produced.

Non-focus things made:
• Taught myself eggshell veneer.
First try ay eggshell veneer, not terrible.


Focus Month: Another writing month. Editing The Audacity Gambit and working on the second book!

Non-focus things made:
• Made a sky bison costume for a cat.
• Shot a cover for TAG’s Draft 2 Lulu print.
Shooting The Audacity Gambit draft 2 cover


Focus month: Animatic. Which got extended, due to summer fun.

Non-focus things made:
Swatched my insane nail polish collection.
• Helped manage my workplace’s move to a new place.
• Made Chase a hell of a cake for his birthday.
Chase's petit fours cake, with the colours and pillars he picked out.


Focus month: Animatic, still. Which didn’t end how I expected. I decided to stop doing focus months.

Non-focus things made:
• Research for a friend’s Halloween costume.
• Ridiculous Adventure Time/Breaking Bad drawing.
• Modified a department store ball-jointed doll into a dryad.
Dryad Doll outside


•We bought a car, wtf.
Built rig for San’s cape from Princess Mononoke.
• Wrote lots of TAG book 2
Emily and the hare from book two.


• Got my first hand tattoos
• Made Princess Mononoke costume.
There. Done with San's cape and hood. Ended up going for attatching hood permanently. #fb


• Worked on a thing I hope to show you guys soon.
• Made a ridiculous cake
Surf cake


• Shot photos of cats in both old west and Avedon’s In the American West styles as presents.
Christmas Kitty: Avedon edit Bailey


So, a decent amount of things, I think? And through all of it, trying to keep my nails sick.


Not a bad 2012, let’s hope for more in 2013!

Mirrored from Journal of a Something or Other.

bzedan: Cropped image of suspenders worn over collared shirt (me)
2012-09-24 10:36 pm
Entry tags:


And with that, we went and bought something fancier than we imagined we could.  And got a hell of a deal.

It’s the 2013 Veloster. VELOSTER. From the first time I saw a picture of its stupid face I was taken. Then Chase showed me this banned Dutch commercial:

Yep, it’s got three doors. To fuck with Death.

Somehow, we thought the price we were looking at was for the base model. But it turned out that the car we were looking at online actually had a fancy package that added a crazy nice stereo and a sunroof. And leatherette seats. So we ended up with a car that gets at least 40 miles per gallon on the highway, in a low-moderate price range, that feels like a luxury car inside. And looks like a space ship, a little.

Oh, and there is a touch screen inside?

We named him Jeff.

Mirrored from Journal of a Something or Other.

bzedan: Cropped image of suspenders worn over collared shirt (me)
2012-09-10 09:52 pm

Animatic, some changes. Good ones!

Oh god, I failed this last last two month’s focus.  I did not make an animatic.  Oh, but that’s because I used the paintings I did to make this.

I know it's just a Lulu of a draft, but. #fb

And I spent a bunch of time making this

Dryad Doll outside

And writing like 7,000 words of the sequel to The Audacity Gambit.

Bailey helps me write book two.

And researching how exactly San’s cape in Princess Mononoke works. Talking to Chase about his show, which is now next spring (a good thing!). Being excited with my favourite people about their new house and looking at fridges with them. Watching ALL the Adventure Time and drawing this.

Breaking Bad - Adventure Time

I don’t know if the focus months are necessary any more. The reasons why I needed an outside force to make me stop feeling like I was neglecting things, or leaving things unfinished have eased up. The stress of the commute I used to have is in the past, my brain is sort of coming together, I dunno. but I want to make stuff unbound.


Mirrored from Journal of a Something or Other.

bzedan: Cropped image of suspenders worn over collared shirt (me)
2012-07-23 07:03 pm

Animatic, some progress and an extension


A combo of my work moving locations, a change in focus of Chase’s show (now in October!) and a sudden trip to the coast (doctor’s orders, because it’s been two years since we last went, and both Chase and I needed out of the city to refresh), and and and.

Point being, I’m behind in goals and dammit, it’s the summer. So I’m extending this focus a month. I have got a lot done, just not enough (so many thumbnails, if you’re following me on Instagram, you may have seen some). So, excuses but whatev. I’ll leave you with a finished frame from the new chapter written for draft two.


Mirrored from Journal of a Something or Other.

bzedan: Cropped image of suspenders worn over collared shirt (me)
2012-07-08 05:08 pm

Animatic, progress (and progress on editing!)

If you follow me on Instagram (handle is bzedan, just like it is everywhere), you may have seen some thumbnail progress for the animatic.


Value thumbnail.

Chase and I went on a drive, listening to the song that always seemed like it’d be perfect for a trailer for The Audacity Gambit to me—Fairies Wear Boots. Which, obvs, cannot use that song, but Chase plus synth can get me the feeling I want. We parsed out what scenes would work for a trailer, without giving anything away. I made a list of them when we got home and I’ve been thumbnailing them out since.

Style-wise, they’ll be along the lines of what I did to illustrate Morningstar. I want plain black and white stuff I can drop into the POD draft 2 copy.

Plus! I’m about halfway through the edits Chase made, and I’ve dropped in the first of the scene inserts. He’s got about 25 pages left to read! I really want to be sending this thing to Lulu, illustrations and edits and all, at the end of the month. Might be able to make it!

Mirrored from Journal of a Something or Other.

bzedan: Cropped image of suspenders worn over collared shirt (me)
2012-06-20 06:19 pm

Another writing focus, more progress!

So, what’s the status right now?

  • The outline of the second book is where it was last week, that’s fine, because:
  • I’m about a third into the first write of the chapter that has to be inserted into the first book—which I’m not going to let Chase (my beloved first reader and editor) read until he is further along in going over the edits of the first book. Incentive, folks.


As I may have mentioned before, once he’s gone over the edits and the new scenes are plugged in, I’m getting a couple copies of The Audacity Gambit printed POD, for another read-through. It’ll need a cover though, right? How about this:

Shooting The Audacity Gambit draft 2 cover
This was fun to do and a great image test as well. I’ll probably revisit the visual theme.

Shooting The Audacity Gambit draft 2 cover

So, progress continues.

Mirrored from Journal of a Something or Other.

bzedan: Cropped image of suspenders worn over collared shirt (me)
2012-06-13 09:17 pm

Another writing focus, making progress

I have like two thirds of the book outlined! This is a hella beefier outline that what I used for the first book, but I have a lot more characters and tropes to keep track of and fulfil.

Outlining that next book.

I still want to write a flash or two to fill out what gets done this month, but since I’m also revising/editing The Audacity Gambit, we’ll see. I want to print out the revised draft through a POD, for one more read through, but it will need a cover.  Which is why I made this.

Roughly built, but not bad

You’ll find out why.

Mirrored from Journal of a Something or Other.

bzedan: Cropped image of suspenders worn over collared shirt (me)
2012-06-06 06:58 pm

Another writing focus, it begins

Looking over notes from a discussion Chase and I had about revising The Audacity Gambit. This is the general tone of the theme declarative ones:
  • “Immortality or power breeds immaturity.”
  • “Needs are what dominate and shape human existence.”
  • “In the end, it’s just you versus Sauron.”

Though this month is about working on the second book, the first book is going under revision, which is actually pretty great, as I can build the framework for book two a little easier when I’m using the same materials to renovate book one.

The first book is getting two more full scenes (that’ll probably end up equalling a chapter) and two half scenes. The two half scenes are done and already I’m loving how they’re helping flesh out the themes, world and characters. Revisions, guys, they’re fun.

And here, so it’s not all words, how about a little sketch of Dry-Eyes?

A chatacter from that book I'm writing, why not.

Mirrored from Journal of a Something or Other.

bzedan: Cropped image of suspenders worn over collared shirt (me)
2012-06-01 07:29 pm
Entry tags:

June focus: next book

This month I got: 5, 6, 16 (by asking Chase this time, not

  1. Animatic for The Audacity Gambit
  2. Sewing: clothes
  3. Ink comic from last February (Richard III)
  4. Nails
  5. Photography: make sets, pick direction
  6. Next book
  7. Library
  8. Garden
  9. Cooking
  10. Painting
  11. Fashion blogging
  12. The unfinished/begun monographs
  13. Final Space Goth chapter
  14. Chase and Brenna collabs
  15. Miniatures
  16. Get rid of old art
  17. Printmaking
  18. Papier mâché
  19. Old photos


I am going to admit that Chase bullied me into choosing to work on the next book (a sequel to The Audacity Gambit). I’m pretty much just outlining, I’ve got a lot of notes and weird bullet point stuff right now from a couple of months ago, and it’s time to craft that into the skeleton.

This will not be serialised online. Sorry folks. But I’ll share fun bits and things I’ve learned. Here’s a fun theme that is slated to lie in the shadows and inform things:

The turn away from the earth is prompted, [Zarathustra] says, by a dissatisfaction with life, a dissatisfaction that causes one to create another world in which those who made one unhappy in this life are tormented. The Übermensch is not driven into other worlds away from this one.

Wikipedia. Übernensch, This-Worldliness

Yes! I am that person. But hey, I am also obsessively looking at Eigen plots, Aarne-Thompson, I want the scrolls I put under the golem’s tongue to be right, y’know?

I’m tagging this as another month of writing, I’ll work up some small things to do when not frantically going through my Evernotes, wondering why the shit I didn’t write down a character’s name.

Mirrored from Journal of a Something or Other.

bzedan: Cropped image of suspenders worn over collared shirt (me)
2012-05-04 06:00 pm

May focus, embroidery

This month I got: 20, 13, 3

  1. Animatic for The Audacity Gambit
  2. Sewing: clothes
  3. Embroidery
  4. Ink comic from last February (Richard III)
  5. Nails
  6. Photography: make sets, pick direction
  7. Next book
  8. Library
  9. Garden
  10. Cooking
  11. Painting
  12. Fashion blogging
  13. The unfinished/begun monographs
  14. Final Space Goth chapter
  15. Chase and Brenna collabs
  16. Miniatures
  17. Get rid of old art
  18. Printmaking
  19. Papier mâché
  20. Old photos


I’d been hoping embroidery would come up. I miss it, that four-hour commute window I had every day is gone, since we now live near where I work.

I have embroidered a lot of things.

What I've done so far

I like doing it, I still think in stitching.

Some embroidery I've done

I like its time-consuming uselessness.  Hella zen, right?

Mirrored from Journal of a Something or Other.

bzedan: Cropped image of suspenders worn over collared shirt (me)
2012-05-03 06:37 pm

Secret show production, fin

Well, I’m not actually done with production for Chase’s show in the fall, but I’ve made huge headway.  And I took a lot of pictures.  That you’ll get to see eventually.

I like the work Chase and I make together and I like just doing production a lot. It’s been a good month, with a birthday in it and everything.

Mirrored from Journal of a Something or Other.

bzedan: Cropped image of suspenders worn over collared shirt (me)
2012-04-04 04:23 pm

April focus: production for Chase’s show

Oop, should get about telling you all what is up with April.

Being as April has my birthday in it, I wanted the focus to be fun.  And as last April I ballsed up the focus projects and had to call it quits in May, I wanted something that I would do, would finish.

Chase is having a show at Rocks Box gallery in the fall, I’m more or less his production team.  I like working with him (which is nice, since I also live with him) and he’s got a pretty big project that I need to make headway on creating.  So that’s what April will be, working on this piece for Chase.

But.  Because we are both paranoid, superstitious and like surprise, I don’t get to show you progress images as I go.  I am taking some and, after the show, I’ll share.  Be assured, things are getting done this month, I just can’t show them to you.

Mirrored from Journal of a Something or Other.

bzedan: Cropped image of suspenders worn over collared shirt (me)
2012-03-27 07:18 pm
Entry tags:


Oop, wrote a quick story.

From his balcony carved out of living rock, Teags watched the Great Burn eat its way across the world. Huddled around his coffee in the crisp mountain air, he saw flames licking at the borders of Second Hope. His sister, along with the rest of the township, had been evacuated on schedule according to the proctor’s evaluation of the fire’s path through their sector. It hadn’t been a panicked evac, a full month’s notice gave the people of Second Hope plenty of time to close up and clear out. Teag’s sister had told him before they left that the mayorship predicted an 80% property recovery on return.

“It’s not like the bad old days before we understood the mirrors, Johhan,” her face flickering warmly on the screen. “We’re well-prepared and have plenty of warning.” She smiled and Teags smiled back at her, even though it was a recorded message. “Besides, all thirty-five towns before us in the path have evacuated safely.” Teags sing-songed the familiar joke along with his sister, “fifty years since the last Great Burn death!”

Up in his cliff wall eyrie, Teags had a different evac date than the forest below. He’d built the house into the rock, on the edge of the cut sliced into the mountain by untold cycles of the sun’s fire. The contractors had given him a 98% property recovery rate. His own calculations placed him closer to 90%, but most of the damage would be from dust and extreme radiant heat, rather than forest fire and direct flame. He touched the leaves of a bush growing from a sculpted hollow in the rock. His plants would die, but the things inside the house would stay relatively cool and protected in their man-made cave.

Inside, the phone chimed insistently. Teags stayed on the balcony, watching the fire and finishing his coffee. He listened to the familiar automated message. It reminded him of each individual person’s value to the community, the importance of prudence and safety and gave him the evacuation route for his sector. There was a human-like pause as the program checked its calendar against his position. “The Great Burn will reach your location in one day.”

Teags went inside to make himself a meal, but brought it back out to eat. The air was growing slowly warmer, the first flakes of ash landing on his arms. At night, trails of smoke occluded the stars, reflecting back the light of the flames, pierced by the colourless ray of sunfire chewing its way towards the mountain.

In the morning, Teags ran another systems check. Everything that could be damaged by heat had already been moved deeper into the rock. Satisfied, Teags went back to the balcony, watching from behind dark glasses as the light edged its way into the ravine burned over millennia. Chiming sounded again from inside, the message calm but insistent. Teags had grown to admire the automated system. It had just enough AI to send out notifications and warnings independent of the proctor’s calculations.

With a last look at the fire, Teags closed up his home and followed the winding stairs down to the sub-basements. At the bottom he stumbled in the dark and panicked, worrying about the security’s power grid. His glasses slid down as he shook his head, the soft backup lights shining around the lenses like dawn. Grimacing, he took them off.

Bundled in a heavy coat against the chill, he ran a final check of the air system, already yawning in anticipation of sleep. He never could get used to sleeping under the fire-lit clouds. Finally assured that if he died, it wouldn’t be through suffocation, Teags fell onto a cot under a pile of blankets and slept.

He’d set the lights to dim at night, in an attempt to fend off the timelessness of evenly reflected, constant illumination. They were dialling back up as he woke, sweating, the calendar telling him he’d slept a full day, but no more. Slurping an emergency ration, Teags settled in at the rickety camp table, reviewing charts. He didn’t need them to see that the mirror cycles were speeding up at a geometric rate, the last Great Burn had come through only a month before, the one before just a half year before that. He didn’t want to project when the next one would be.

He gazed blankly at the stack of papers. The sector map was now useless, the last few towns he’d caught radio signals from had gone quiet over the last week. His home-made weather station data gave him nothing helpful. If the world was spinning faster or if only the mirrors had gone insane he didn’t know.

When the lights dimmed again he was still at the table, twirling a dried twig in his fingers. No matter how quickly the new growth was burned off, the native plants on the mountain burst back into fruitful bloom as soon as the temperature dropped below oven-hot. Teags wished he was a botanist, or that a botanist was still around to appreciate what the plants were doing.

He’d stripped to his underwear and slippers, wishing for a shower to take the edge off the pervasive heat. With deliberate movements, he set out the last of the emergency rations and tried to make a banquet out of them, mixing elements the best he could without a kitchen. He decided against watching his sister’s message again and put on a pair of pants and the dark glasses. With a shrug, he started up the stairs.

Mirrored from Journal of a Something or Other.