April 27th, 2026
rachelmanija: (Books: old)


An incredibly beautiful book and a very faithful adaptation. Much of the language is word-for-word from the book. I would happily hang most panels on my wall.

A number of sequences are completely wordless, and while very beautiful I don't think I would have understood what was going on in all of them if I hadn't already read the book. There's also a lot of panels which are extremely dark, so much so that it's hard to tell what's happening. Most of these are indoors. I know there's no electricity but in most of these there is magelight!

Also, the otak is the size of a mouse and looks very much like a mouse. That is too small - in the book it catches a mouse and brings it to Ged, and other people tease Ged that it's a rat or a dog. I pictured it the size of a kitten or squirrel, and looking somewhat like a stockier weasel, or a small wolverine or marten. Definitely not a mouse!

It's always interesting to see other people's visualizations of books. The dragon of Pendor is seen mostly through a thick fog, all glowing eyes and fiery breath and insinuation. The flying creatures that pursue Ged and Serret from the Court of the Terrenon are not monstrous pterodactyls, as I always imagined them, but hideous living gargoyles.

I highly recommend this to anyone who's already read the novel, but I don't suggest reading it instead of or before the novel.

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Posted by Kip Manley

The lights are out, the curtains drawn. She sits in one of the two chairs there by the small round table in the corner, wrapped in a thin white towel, hair limply, darkly damp. Hand on a knee, elbow on the table by a slim black phone, screen of it cracked. She blinks. Neatly draped over the dull yellow coverlet of the one queen-sized bed a pair of black jeans, a sort-of folded black T-shirt. On the shag carpet at the foot of it a pair of Chuck Taylor hightops, one white, one black, both grubby, fraying duct tape wound about the toe of one of them. She draws a slow, deep breath. Lets it out.

There’s a knock at the door. “Jo? Hey. Jo.”

“It’s open.” She doesn’t get up out of the chair.

A lowly ruddy flare of morning light as the door swings open, and somehow the room becomes smaller, wallpaper shot though with fraying metalled threads, dusty flat screen of a dead television, peeling veneer of the dresser, expressionist print of a football tackle askew above the bed. The man in the doorway heavyset and tall, leaning a shoulder on the one jamb, hand braced against the other, in the fingers of it a featureless yellow keycard. “I need the room,” he says.

It’s unclear whether she nods, or shrugs, at that.

“So I gotta kick you out,” he says. Looking about the room. His hair is greasily brown and cut to no specific length, his short-sleeved shirt a drably olive, his tie of mustard yellow. “Do you,” he says, frowning. Shifting his weight in the doorway, still braced. Trying again. “Did you even get any sleep?”

“You don’t get to pretend you give a fuck,” she says, quietly, but clear.

April 26th, 2026
dinogrrl: nebula!A (Default)
posted by [personal profile] dinogrrl in [community profile] little_details at 01:06pm on 26/04/2026
I'm (still) writing a fantasy story set in early 18th century Venice, and there's several scenes of the main character and her family attending Mass or otherwise being inside their church. It's not a big cathedral, more like a well-attended neighborhood church.

My question is probably very stupid but where the heck do the men put their hats while attending Mass or whatever else they're in there for? Do they just like, put their hats beside themselves on their seats? Or just hold onto them on their laps or some other way? Or would your average 18th century Catholic church have a sort of coat room or somesuch? My google-fu is failing in finding a church layout from that time period or text explanation, though I did find a good article about priests wearing wigs...
April 25th, 2026
rachelmanija: (Books: old)


This is the first book I've read by Tim Pratt. I had somehow gotten the impression that they wrote very highbrow, abstract sf that I probably wouldn't enjoy. I have no idea where that came from because this novel, which I tried because of the delightful premise, is completely not that and I enjoyed it very much.

Zax Delatree, a social worker/mediator from a utopian post-scarcity world, develops a condition where he travels to a random other world every time he sleeps. Through a lot of trial and error, he also discovers that he can take with him items on his person, and also other people if he's touching them when he falls asleep. If they're asleep too, they will arrive fine. If they're not, they arrive insane. ("The Jaunt" is one of many spottable influences.) Here's Zax and his companion, Minna, explaining their situation:

"Do you know the word 'multiverse?' [...] We're travelers, sort of. Sort of explorers. And sort of refugees."

"If this is true, the implications are immense."

"The implications are also very small and also personal," said Minna.


This is the most charming and heartfelt novel I've read in a while. It's mostly a picaresque, with Zax and Minna (and assorted friends and pursuing enemies) visiting all sorts of colorful other worlds, exploring and surviving and trying to be of use. The many worlds are great, I loved Zax and Minna and the friends they meet, and it's full of sense of wonder and hopefulness and people being kind under extremely difficult circumstances. I also liked that Zax and Minna are friends who are explicitly not romantically or sexually involved with each other.

There is a sequel, Prison of Sleep, which I have ordered.
carodee: Painting of The Madwoman of Chaillot (Default)
posted by [personal profile] carodee in [community profile] little_details at 12:58pm on 25/04/2026
Sadly, my experience with libraries at that time was just wandering the stacks and taking out interesting books. I vaguely remember using a microfiche once, for example, and all I remember is you have to turn the knob the opposite direction of what you're viewing. Research is a foreign land to me.

The googling I've done tells me that this year was smack dab in the middle of converting to computer use from old style card catalogues, etc. but no information on how a person goes about doing research. I would love to have a helpful librarian character too.

This is for an exchange fic so I'm putting the rest under a cut. Please don't click if you requested a canon set in the 80s in a current exchange. Thank you. Read more... )

Any help in how this would work or a website that has this research finding information would be very appreciated.

Edited to Add: Thanks for the suggestions so far but I actually need to have my character do some research beyond phone books for the story to work. What I'm getting is libraries might still? be using card catalogues rather than early computers but how would magazines and trade journals be listed in the card catalogue so that a specific company could be researched? Thank you for any suggestions. They do spark my imagination for adding to the scene.

ETA2: Thanks to everyone for their suggestions. I have what I need now. This community is a great resource.
April 24th, 2026
rachelmanija: (Books: old)


A science fiction novella about aliens, communication, and certain dark topics which are spoilery to mention. Though if you read the blurb for this book, it very strongly implies those topics and the specific shocking twist that involves them. It reminded me of China Mieville's Embassytown, though the latter benefited from its longer length.

Ro's species, along with some others, can jump into the minds of Star Eaters, the mysterious species that alone can mine the mineral that enables space travel. Ro is told that doing so is the only way to study them, and while jumping into their bodies extinguishes their minds, they are extremely long-lived beings and their minds definitely come back, so Ro is only doing the equivalent of causing a day-long blackout. The Star Eaters were apparently once enslaved, but now work voluntarily; communication with them is difficult and puzzling. Once you jump in, you're stuck for the rest of your life, but Ro is such a curious and skilled linguist that he's willing to give up everything to understand this oddly mysterious race. (I guess the possessing being's mind is supposed to only live for its species's normal lifespan? This is not explained.)

If you've read much science fiction, or many books in general, you have probably already figured out what's really going on. In fact it's so obvious that it seems strange that it takes the characters so long to do so, but of course no one knows exactly what story they're in.

Everything involving alien communication is great. But the plot is so predictable and grim that I didn't enjoy the book much.

Read more... )
posted by [syndicated profile] cityofroses_feed at 01:13pm on 24/04/2026

Posted by Kip Manley

A sharp eye might’ve noticed some changes to the various outlets listed on the Books page, as other places where: Spectator Books in Oakland has been added, there’s a selection of zines on the shelves there now, so if you find yourself on that side of the Bay, head on over, say hi; and but also, Smashwords has been removed.

posted by [syndicated profile] cityofroses_feed at 12:20pm on 24/04/2026

Posted by Kip Manley

A house much like the others all along the one side of the street, low, demure, set close to the curb, only a shallow curl of driveway, a freshet of paving stones crossing the scrap of a yard to the front door. He pauses, one Chelsea boot on the front steps, glossy tobacco polish marred by dust, an ugly scuff across the toe. Looks back, over his shoulder. A high stone wall lines the opposite curb, lofting from dim pools of streetlight into thickets of shadow above, themselves swallowed by the looming slope of night. He’s stood in the light of the lamp hung over the warm yellow door, his suit of a blue as dark as those shadows, his salmon shirt buttoned up to the throat, and no tie knotted there. His weird white hair swept back in matted locks long enough to brush his shoulders, just.

He opens the door, he steps within.

The unlit hall, a stairwell spiraling up to the right, a kitchen to the left, cold and dark. A great dark empty space ahead at the end of it that he heads toward, boots quiet on the dust-dulled floor.

No one stands watch at the hole smashed through the great curving wall of window. Jagged blades of glass still hang dangerously above, to either side, framing tree-shapes without silhouetted against the city’s glow away off below down there, a vague brightness drawn in and caught by cracks that leap through the window in every odd direction, faint lightning frozen in the moment of impact creaking and scraping even at the gentlest breath of a breeze. He’s headed for the glass balustrade mounted about the stairwell in the middle of that room, and the long straight flight of steps headed down. “More!” someone growls below. “C’mon! All of it!” There’s light at the foot of the steps, hotly yellow-white but wildly uncertain, guttering, redoubling with a shocking flare.

A hand on the transparent railing, he begins his descent.

April 22nd, 2026
posted by [syndicated profile] cityofroses_feed at 12:20pm on 22/04/2026

Posted by Kip Manley

Two swords laid side by side on the glass-topped table. To his right the blade is long, widening from sharp tip shining clean and straight to the palm’s-width ricasso, where a crude sigil once was stamped some time ago, a simple block shape worn and faded with time, a horn perhaps to one side, the suggestion of a foot, there where the shallow fuller begins its slope down the clear bright length of the blade. The plain cruciform hilt of it stolid and thick gleams even in this light with all the randomed nicks and dings and here and there a notch whacked into the quillions stretching simple and straight to either side, and then the grip, bound about with straps of tawny leather smoothed and darkened by much handling, and the pommel, a wide flat plain-faced coin, thicker through itself than the largest thumb, the beveled edges of it scratched and chipped, even here.

To his left the blade is shorter and more slender, a needle next to the other, shining but darkly, chased the length of it with coiling waves that swirl in the depths of the steel. The hilt is simple and straight, wrapped in dulled wire, and the quillions almost as long together as the hilt, but over and about them a glittering basket woven of wiry strands that meet in thick worked knots of steel all gathering together in a sternly singled cord that swoops to the great silvery clout of its pommel. Stamped above the quillions on what thickness the blade can manage a crude sigil, the lines of it still sharp, a horn clearly emerging from one side of the block shape, and the foot.

“Mason,” someone says, and he looks up.

April 20th, 2026
posted by [syndicated profile] cityofroses_feed at 12:20pm on 20/04/2026

Posted by Kip Manley

Rolling over under the untucked sheets, pastels tangled together, flush of teal, icy pink, a yellow startling in the sunlight, black hair abrupt against the one white pillow. Her arm tugged free still socked in black and white to brush some of that hair from off her face, to dig sand from the corners of her eyes. Not quite a groan, she takes in a breath, sits up, pastels falling away, pale waves crashing back to a rumpled ocean. “Hey,” she says. Shoving the bulwark beside her. “Hey. Want some breakfast?” Reaching across herself to scratch her shoulder, dig under the cuff of the sock. Not a word or a breath from the bulwark. “I want some breakfast,” she says, tugging the sock down, working it off.

He sits up sometime later, blinking thickly in the sunlight, pastels puddling his lap. Absently scratching the wiry black that mats his breast. She’s over by a freshly assembled credenza, the only other piece of furniture in a room that still feels crowded. She’s pulled on brief black shorts, a cropped white T-shirt pasted to the curves of her breasts and her belly, she’s stirring something atop a little electric griddle. He sniffs, and again, deeply, closing his eyes. His mustache thick but neatly trimmed, the black of it hatched with white. “Oh,” he says, “and is that speck you’re frying?”

“If by speck, you mean bacon?” she says. “I’d offer you some.” She shrugs.

“Just as well.” He yawns. Another elaborate sniff. “Odor alone is almost enough, for a man in my condition.” Slapping his jowls, shaking his head. He works his way out from under pastels to the edge of the great thick mattress. “Ghost of a pig,” he says, scooping up a grimy grey union suit, “for a pig of a ghost.”

April 18th, 2026
rachelmanija: (Books: old)


This sequel to Annihilation takes an unusual approach. Rather than returning to Area X, almost the entire book takes place outside of it, focusing on the scientific/government agency, the Southern Reach, which has been sending expeditions into it.

Most of the book is bureaucratic shenanigans with creeping horror undertones. The main character, unsubtly nicknamed Control, is slowly losing his mind trying to figure out what the hell happened to his predecessor and why she kept a live plant feeding off a dead mouse in her desk drawer, what is up with the bizarre incantatory literal writings on the wall, and what's up with the biologist, who has seemingly returned from Area X but says she's not the biologist and asks to be called Ghost Bird. There's parts that are interesting but also a lot of office satire which is not really what I was looking for in this series.

About 80% in, the book took a turn that got me suddenly very interested.

Read more... )

I kind of want to know what happens next but I'm not sure Vandermeer is interested in giving readers what they want.
April 17th, 2026
subversivegrrl: (Default)
posted by [personal profile] subversivegrrl in [community profile] little_details at 10:16pm on 17/04/2026
So, my character gets shot running away and catches several pellets of birdshot in his calf. Post-apocalyse setting, he doesn't have a chance to tend to it right away - can anyone give me a rough estimate of how long it would take before he would develop an infection that could disable him? (Fever, altered mental state.)

Thanks in advance for any feedback. I may need to revamp my idea about what kind of injury is going to put him out of commission for several days (he will have access to someone who can remove the pellets and provide reasonable, situation-appropriate medical care.)
secret brain thoughts: 'curious' curious
rachelmanija: (Books: old)


One day every adult on Earth gets a box that contains a string that measures out the length of their life.

This premise seems designed in a lab to create a book to be read for book clubs, where everyone gets to discuss whether or not they'd open their box and how they'd react to a long or short string. It worked, too. And it is absolutely about the premise. Unfortunately, the book is bad: flat, dull, sappy, American in the worst possible way, and emotionally manipulative.

It follows multiple characters, all American, most New Yorkers, and all middle or upper class. Some get long strings. Some get short strings. The ones with short strings agonize over their short strings. The ones with long strings who are in relationships with people with short strings agonize over that.

One of them is black, a fact mentioned exactly once in the entire book, and one has a Hispanic name. One set is an old right-wing politician and his wife. But all of them have identical-sounding narrative voices. Other than the Hispanic-named dude, who is mostly concerned about job discrimination, and the politician, who just wants to exploit the issue, everyone is worried about having a relationship and children with someone who will die young/worried that they'll get dumped and not be able to have children because they'll die young.

Ultimately, isn't everything really about baaaaaabies? Shouldn't everyone have baaaaaaabies no matter what?

The book is so bland and flat. The strings are a metaphor for discrimination, as short stringers are discriminated against. It explores some other social issues, all extremely American like health insurance discrimination and mass shootings, but only peeks outside America for brief and stereotypical moments: North Korea mandates not opening the boxes, China mandates opening them, and in Italy hardly anyone opens their box because they already know what really matters: family. BARF FOREVER.

It was obvious going in that the origin of the boxes would never be explained, but no one even seemed curious about that. Once all adults have received them, they appear on your doorstep the night you turn 22. Video of this is fuzzy. No one parks themselves on the doorstep to see if they teleport in or what. No one has a paradigm-upending crisis over this absolute proof of God/aliens/time travel/magic/etc that the boxes represent. No one comes up with inventive ways to take advantage of the situation a la Death Note. No one is concerned that this proves predestination. No one wonders why they appeared now and what the motive of whoever put them there is.

The point that life is precious regardless of length is hammered in with a thousand sledgehammers, to the point where it felt like a bad self-help book in the form of a novel. The romances are flat and sappy. In the truly vomitous climax, someone pedals around on a bicycle with the stereo playing "Que Sera Sera" and it quotes the entire song.

It's only April but this will be hard to top as the worst book I read all year.
posted by [syndicated profile] cityofroses_feed at 12:20pm on 17/04/2026

Posted by Kip Manley

Stifling a shriek she steps too hastily back, stumble-scuff the pavement of the esplanade, arms outflung, bare arms against a fall that doesn’t, she’s, her T-shirt’s back to black, and cracked across the front of it a devil’s leer. Moody’s sitting on a stump with his back to the empty river, the shining city, smiling unctuously, black leather hat tipped up, his ragged jacket of army-surplus green.

“That’s, that’s mine,” says Jo.

“Yeah?” he says, stuffing his hands in the pockets of it, pulling them out, setting his collar, his shoulders as he rolls his neck. “You got my shirt,” with a jerk of his chin. “Took me way too long to put two and two together. You stole it. That night. Didn’t you.”

“How,” she says, and a deep breath. It’s all so quiet about them, even the overpasses behind and above. “How did that happen.”

“What,” he says, looking about, a performance of uncertainty, “all that?” undone by his smile. “Just now?” He points. “I live in your head, Bambi. Rent’s awful cheap.”

“You live,” she says, “in prison,” quiet and cold and definite. “You got arrested. You pled guilty, even if it was only a tenth of what you ever did. A hundred, and twenty-four, months,” stepping across the esplanade toward him, sat there on that stump, “and I didn’t have to think, about you,” she says, “I haven’t thought about you, not at all, not once since then, not till Christian went and said you, you were, back. Danny Moody’s back.”

He scowls, he shrugs. “I bet you don’t believe in tigers, neither,” he says.

April 16th, 2026
rachelmanija: (Books: old)


In a future Morocco, a young woman named Hariba with no prospects has herself jessed, a process which renders her loyal to whoever buys her, and sells herself as an indentured servant to a wealthy household. There she meets Akhmim, a harni - a genetically engineered human designed to be a perfect lover or companion. Hariba falls in love with him and runs away with him, but because she's jessed, she becomes extremely sick due to defying her loyalty implant.

Up until this point, the book had a compelling atmosphere a bit reminiscent of The Handmaid's Tale in that it explored the daily life of people living with very little agency in the home of someone who owns them. But once Hariba gets sick, she becomes completely sidelined from the story and basically lies in bed suffering for the entire middle part of the book, while the POV switches from Hariba and Akhmim to first her mother, then her friend - neither of whom are very interesting.

Read more... )

This is a well-written book with interesting issues that sags a lot in the middle portion when Hariba basically drops out of the story, and ends in a note of depression and gloom.

Though I didn't love this book, I'm sorry that McHugh doesn't seem to be writing novels anymore as I did quite like China Mountain Zhang and Mission Child.
April 15th, 2026
rachelmanija: (Default)


Danny is a 15-year-old closeted trans girl in a world where superheroes are real. She's across town from her home and her transphobic abusive father, hiding in an alley and painting her toenails with polish bought in a shop as far from her home as she can manage, when America's strongest superhero, Dreadnought, gets in a fight with a supervillain, crashes at her feet, and passes on his powers to her, since she's the only one there to receive them, before dying.

His powers automatically reshape her body into her mental ideal. So now she's physically a very pretty, very strong girl with superpowers... who now has to explain this to her abusive transphobic parents, everyone at her school, and the local superheroes, one of whom is a TERF. Not to mention that the supervillain who killed Dreadnought is still out there...

This is basically exactly what it sounds like: a superhero origin story for persecuted trans teenagers. It's very earnest and has absolutely no subtext. My favorite parts were the bits where Danny gets her gender affirmed by new friends and a sympathetic superhero, which are genuinely very sweet, and when Danny finally proclaims herself the new Dreadnought, which is a great stand up and cheer moment . But overall, I'm too old to be its ideal reader.

Content notes: A LOT of transphobia and transphobic slurs.
posted by [syndicated profile] cityofroses_feed at 12:20pm on 15/04/2026

Posted by Kip Manley

Uncertain laughter, and a scuffle. A knight in sleekly cobalt sleeves, a woman short and round, white apron over taupe, they’re pulled apart without much trouble under buzzing fluorescent lights racked high above, the shine a harshly cool that somehow warming as it falls to buttery summery softness gathered in so many glimmering sparks clutched tight in hands held high, so many caught on fingertips, knuckles, lingering on lips and cheeks, so many drifting freely among the biding rustle of that wordless crowd. A tickle of strings, a rattle of sticks against the concrete floor, a crash of metal and glass somewhere without. Someone whoops. “The hell,” roars Gloria Monday, there before the raised stage, starting off toward the overhead door, but Anna Nirdlinger catches her arm, “It’s okay,” she’s saying, as a ramshackle beat assembles itself from the clicks and strums. “Gloria, it’s okay.”

“Okay?”

No I would not, a ragged chorus dissolving in giggles as the incipient song redoubles, asserts itself, and then a great breath taken all at once, Carol in her slinky gown, the Blue Streak cross-legged on a crate, cradling his guitar, the Bullbeggar, Otto Dogstongue, knelt on the concrete, coaxing that popping lopsided beat from a couple of overturned plastic buckets, no I would not give you false hope, on this strange and mournful day, laughter still shaking their words, and the joy that dancing whirls about them.

April 14th, 2026
rachelmanija: (Books: old)
posted by [personal profile] rachelmanija at 01:30pm on 14/04/2026 under
As you may have guessed, I completely failed to live up to my goal of reviewing everything I read, even in brief. Rather than attempting to catch up to my backlog, I am re-starting from where I am.

Yesterday I did a quick book cull by pulling books off my shelves that have been sitting there for ages, reading the first couple chapters, and deciding if I was likely to continue. I focused on books I'd started before and not gotten very far into. Here are the books that landed in the "move to Paper & Clay's used section" bag.

Trouble and Her Friends, by Melissa Scott



See the new cover? If you've been wanting to read this, it's now available as an ebook!

This is a classic lesbian cyberpunk novel that I have tried to read at least three times, and never managed to get very far into. I kept putting it back on the shelf because it's a classic and probably objectively good, but I'm just not that into cyberpunk. If a lot of the action is taking place online, I tend to lose interest. Also, some books just don't grab me, due to a mismatch between me and the book, rather than being objectively or even subjectively bad. This is clearly one of them. Someone else can be thrilled to find it at Paper & Clay, take it home, and enjoy it.

The Splinter in the Sky, by Kemi Ashling-Garcia



A tea specialist becomes a spy in a far-future colonized world! Unfortunately, this starts with a prologue which reads much like the infamous "trade war" crawl at the top of The Phantom Menace. Yes, I know that turned out to be prescient, but the problem was that it was written in a stultifying manner. The next couple chapters were much more lively, but also had a tendency to clunky exposition - some of which was pretty cool, to be fair. This was the second time I attempted this book, and had essentially the same reaction I did to Trouble and Her Friends - not bad, but not for me.

Furies of Calderon, by Jim Butcher



This has been described to me as "Pokemon in alternate ancient Rome," which sounds amazing. For at least the third time, it failed to grab me. I got about four chapters in and there's still no Pokemon. Someone else will like it more than me.

The Hum and the Shiver, by Alex Bledsoe



A race of people called the Tufa have lived amongst normal humans in Appalachia since the beginning of time. They can see ghosts, have music-based magic, etc. This opens with a Tufa woman very very clearly based on Jessica Lynch, who was a real-life American soldier who was wounded and captured in the US/Iraq war, returning from Iraq. I found this in poor taste. The general style also got on my nerves.

While doing this, I got sufficiently grabbed by the openings to keep reading and finish Maureen McHugh's Nekropolis, which hopefully I will actually review. I also returned Amitav Ghosh's Sea of Poppies and Tanya Huff's Sing the Four Quarters to the shelf.

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