bzedan: (squint)

Storytelling Collective does a yearly challenge for flash fic, with prompts and a nice community format. Every year I complete a run I pick my ten favourites and collect them into what is basically a zine. With 2025’s up, now it’s time to share some faves from 2024.


A black and white illustration of a sword.

Then who slayed the dragon, exactly?

Well, Neihm landed the killing arrow in the beast’s throat, but it was the work of the group to give her that opportunity.

Okay, and this is the group you were the leader of for the past five years?

Yes, a really great team, I loved ensuring that they felt supported on missions.

And how did you do that?

Well, any real team leader doesn’t lead so much as they support the growth of the team, right? I listened to their needs, helped them identify growth opportunities, managed payroll so that they didn’t have to balance money worries while also fighting monsters, that sort of thing.

Ah.

I think really there’s nothing quite like seeing that the role somebody is in doesn’t fit their needs and working with them to figure out what will. Like our rogue, right? He actually started out as a wizard, but as we worked together, I realized that he had a great memory for spells but showed active curiosity in how locks and traps worked. So, I set up an apprenticeship for him, and that great memory served him very well when it came to traps and locks, plus his wizard background gave him a real edge in perception. Probably one of my most satisfying experiences with that team.

More so than, it looks like, overthrowing a demon lord?

Well, we wouldn’t have been able to do that if he hadn’t become a rogue. And same for the rest of the team, really. As a leader it was really just beautiful to see how much they’d all grown not only in their own skills but in how they worked together.

So, you feel that, as a leader, it’s not that your adventuring party supports you—

But that you support your adventuring party, exactly! And it’s not as though I think they don’t have my back. It can be tough to be ‘the face’ of a party, the hero, whatever. It’s you who has to interface with kings and merchants and whoever is footing the bill. And that can be stressful! But being the buffer between my team and the sometimes not quite reasonable demands of our employers is satisfying. And if things ever got rocky, I know they would be there to back me up.

When running your background check we did find that you had posted some inflammatory broadsides about a local prince?

Yes, I did. On researching his quest query, we discovered some pretty nefarious stuff and after discussion with the team we decided that supporting his opponent would be the best move. They ended up becoming a regular client of ours, actually.

I see. And what are you looking for in your position with us?

Oh, just fresh opportunity. Like I said, I really like supporting a team, and I enjoy the folks I work with but it’s only a small independent adventuring party. Working with a bigger team would be a really fun challenge that I think I’d excel at.

That’s great. And do you have any questions for us?

Yes! Did you know that the average retention rate for an adventure staffing company this size is something like 65%? Which isn’t bad, really, when you think about how volatile the industry is, but what’s really interesting is that if you remove all management above “hero” it drops to 50%? And then, if you also leave out the heroes it drops to 30%? That’s like, spectacularly bad. That indicates a real problem within the very structure of your company.

I don’t—

No, you don’t. But that’s okay! Because your current employees do. And they hired us, well actually we’re working pro-bono, but they hired us to shake up the management structure some and begin union negotiations. And what is really lovely about that is you have this big group of people who maybe 30%, 40% tops were going to finish out their year here, that’s how little they cared for your company, all joining together towards one common goal. So, the possibility of real cohesive and modular teams is there, you’re just not utilizing it. But that’s okay, we’re going to help you out. That’s what I love to do, help folks who need it. That’s what being a hero is.


bzedan: (squint)

Storytelling Collective does a yearly challenge for flash fic, with prompts and a nice community format. Every year I complete a run I pick my ten favourites and collect them into what is basically a zine. With 2025’s up, now it’s time to share some faves from 2024.


A black and white illustration of an orrery, the model worlds and moons rigged to circle around each other.

It is eclipse season once more, my heart. You remember—each year, as the season spins up, one of the planet’s satellites occludes the sun a little longer, a little more frequently. Like all children I’ve done my share of annual observatory visits, memorised the tour and peered at the orrery that explained the phenomenon.

But you know I’ve no head for these things. The orrery is beautiful, and I know each capital city has its own, made by local artisans to reflect the attributes of each place. Our orrery was composed of granite marbles and chrome, visually one with the building itself, the mosaic floor a portfolio of stone patterns and textures, walls and columns dense concrete.

Once, when travelling, I visited the observatory of a small farming town and their orrery was a series of lacquered seeds and fruit pits, combining field and orchard. It was charming and inventive and it saddened me to hear other out of town visitors imply it lacked an appropriate seriousness.

Why should an orrery be serious? Eclipse season peaks as the largest satellite matches the sun for half a day, but the slow blinking of light in the weeks leading up to it is a manic thing, a wild thing. There are dances about it, and traditional cookies. I think you’ve tried those cookies, when you were last here. I made them, even though it was simple-summer and finding the ingredients out of season felt like a quest. How can something that is accompanied by a traditional cookie be so serious it should only be represented in the least fanciful materials?

Anyway, as I was saying, I love an orrery but they speak in a language I cannot learn. I remember when you showed me the little tide table you kept in your wallet, and explained how an ocean worked. That made sense to me, more than a device I could draw from memory. Every year we can pick up something similar from the town centre, a time table of occlusion. It’s a handy thing to have on hand when running errands, or before starting chores. I’ve been caught out in the dark walking home, my arms full of groceries (this is before you got me that little rolling basket) unable to get to the jacket I’d tied around my waist. It gets so cold during an eclipse. I don’t know if it is only in comparison to the moments before, or if there is something else about it. I had to walk home, shivering in the dark. Luckily the streetlights turn on automatically, but you know that the last stretch before my house is shaded by trees, with only one small globe at the crossing from the main road. It was quite an adventure. The tables aren’t perfectly accurate, but they’re good estimates and guides, and it pleases me to keep it in my wallet as you do your tide tables.

I’m writing this now, bundled up, as eclipse season reaches its zenith. Or is it the nadir? According to the time table, it should have ended over an hour ago, but still here I am under my warmest blanket, a lamp on and it not yet noon. Like I said, their accuracy isn’t fully guaranteed and I’m sure there is an expected range of inaccuracy. There is a word for that, isn’t there? If you were here I could just ask you, as I know you’ve said the word before, talking about your work and all those experiments you would check and recheck. Part of me wishes you were here now, so you could tell me what word I was thinking of and so we could sit under my heaviest blanket together. It’s a better warmth, the kind shared with another.

I know it’s for the best you’ve returned to your oceans and tides. You would find eclipse season fascinating. We could go on a tour of small towns and compare everyone’s orreries. Maybe there is one made with flowers, or even one that uses projected light. I think it would be fun to see what is out there, how different places interpret the same thing.

If you were here though, I think you’d worry that the time tables had been so inaccurate this year. You’d say “surely this is greater than any margin of error”. That’s it! That’s the word, or words. I imagined you well enough you answered me. Oh, my heart, maybe someday I will be able to go to you. I would like to see an ocean. Does your world have orreries? If so, what do they make them from?

Your beloved.


 

 

bzedan: (pic#11769881)

Storytelling Collective does a yearly challenge for flash fic, with prompts and a nice community format. Every year I complete a run I pick my ten favourites and collect them into what is basically a zine. With 2025’s up, now it’s time to share some faves from 2024.


A black and white illustration of a ball of yarn partly unwrapped.

It was Tuesday. It had been Tuesday for, as well as Mel could reckon it, something like five years. This would have been fine, they thought, if it was a solo or limited affect time loop. If it was only Mel, or only Mel and like a dozen people around the world, experiencing Tuesday, that would have felt surmountable.

But the whole world had been experiencing Tuesday for something like five years and had decided, after about a year of panic and then a year of recovery from that panic, that Tuesday was fine, actually.

That first year there had been spates of bank robberies, vengeance killings, strange pranks, horrible suicides by people sacrificing themselves in an attempt to reset the day. A lot of weddings, also. Money stopped meaning anything, what one spent on Tuesday was back in the bank on Tuesday morning. Even Mel had participated in an outrageous indulgence, purchasing a ticket for a first-class international flight. They’d had to buy it a couple of Tuesdays in a row, waiting for everyone else’s choices to line up for there to be pilots who chose to spend their day at work, for the airport to be intact, for the ground crews to also decide to spend their day at work. Mel was fine waiting. The airport was like a mall and it was as good a place to spend Tuesday as any.

All the social sites and forums reset each day as well, but Mel had gleaned enough over the months to know that they wanted to cross the international date line eastbound. Going west would just pop them right back into Tuesday. Going east let them enjoy the view, the food, the very nice accommodations. When they grew tired, they let themselves fall asleep, knowing they’d wake up in their bed, Tuesday morning.

They’d played, cautiously, with what defined “Tuesday.” It was some point of sunrise, the light gaining momentum as it spilled across the hills and they’d blink and they’d be opening their eyes on a fresh morning and another Tuesday.

Despite what was happening in much of the outside world, Mel spent those first two years more or less enjoying Tuesday. It was, in the old parlance, their “Sunday,” and what was a day that once held its own special dread of the work week to come now felt like a kind of haven. They did find it frustrating that any work they did on various craft projects was undone each day, calm hours cross stitching emptied from the aida. Eventually the frustration was filled with a sort of existential peace. It was the action more than the finished work that Mel liked anyway.

One of their mutuals on a fibre artist forum wrote a poem about Penelope and somebody with a better memory than Mel memorized it, adding it to the boards early Tuesday morning. Memorising the poem and sharing it became a ritual for Mel’s friends.

It was somewhere in the third or fourth year of Tuesdays that Mel’s manager called them and asked them to come into work. Mel hesitated, they’d always been very protective of their two days off in a row and the instinct wasn’t broken by years of Tuesdays. Mel’s manager then told them that “even if Tuesday forgets, I won’t,” the threat clear in her voice. Someday Tuesday would end and if Mel wanted to be employed that eventual Wednesday, then they needed to come in. And so, they did.

Mel’s manager wasn’t the only one who tried to claw back a semblance of order, playacting a normal week of days across a string of seven identical Tuesdays. Mel felt bad for her for a while, realizing how empty her Tuesday must be without the self-definition of her job. Mel’s pity lasted for a couple of months and then the habit of going into work carried them another year. They’d always been easily swayed into routine, and the pattern of going into work was a more practiced one than having a day off.

Then, one Tuesday lunch break, Mel read their mutual’s Penelope poem again. Someone had filmed themselves speaking it, over slowed video of a sweater being frogged. They’d done a great job with the sound, the popping rip of the yarn coming undone not overpowered by the words of the poem, but supporting them like a drumbeat. Mel watched the video three times in a row, then walked out of the store, leaving their apron on the hook in the break room. Tuesday morning the apron was back, folded on top of Mel’s dryer. There was also a very long text from their manager that Mel did not read before replying “Sry, day off.”

When Wednesday came, Mel wanted it to be a day shaped by their choices alone.


bzedan: (squint)

Storytelling Collective does a yearly challenge for flash fic, with prompts and a nice community format. Every year I complete a run I pick my ten favourites and collect them into what is basically a zine. With 2025’s up, now it’s time to share some faves from 2024.


A black and white illustration of a parakeet drawing with a feather quill in its beak.

Seb held up his hand and felt Aurok gently run into it. The small bird nibbled softly at the back of his hand before turning around and patting away. Turning his attention back to the parchment, Seb dipped his pen and continued outlining the flowers framing the verse. Although he liked adding the colours as well, Seb enjoyed this step the most, feeling the sweep of his pen follow twining stems. He was not so entranced by the process to miss the tapping sound of Aurok returning.

With the deftness of practice, Seb caught the bird before it closed in on the parchment. Aurok peeped cheerfully, nodding its head to duck within the warm cage of Seb’s curled fingers. Knowing what came next, the scribe hastily cleaned his pen and set it aside before placing the bird back onto the desk, an arm’s length from his workspace.

Merrily, Aurok strode toward the parchment. Seb caught it up again, the bird giving a high flute of excitement. Back to the scarred wood of the table, the bird’s steps jauntier, eager for the next part of the game. Once more Seb scooped up the bird, adding a small swoop to the path of his hand as he returned Aurok to its starting point. They repeated this cycle several times, until Aurok nipped Seb’s finger in a clear declaration of the end of the game.

Seb returned to his work and Aurok returned to its current project of tearing apart an old rag. Without interruptions, the outlining was done quickly. Seb tidied his workspace to make room for the paints. Seeing Aurok well occupied with its rag, he turned around to fill a dish with water.

The pleasant sound of splashing covered the noise of any crimes, and Seb turned back to the desk to see Aurok halfway across the parchment, the dainty claws of its feet leaving a trail through the not fully dried ink.

There was mercy in heaven, Seb thought, for Aurok’s path had not crossed the careful script of the verse. Quietly, he set the dish of water down and closed the distance to the desk. Aurok, focused on its quest, ignored him as it rummaged between the assorted jars and containers that accumulated on any working surface. Smoothly and swiftly, Seb’s hand darted out and captured the bird. Aurok showed no distress at this, nor in Seb wiping its feet, as it was far too engrossed in prising out the meat of a walnut half. Seb could not remember when he had last eaten walnuts and resolved that in the future he would pick up and wipe under the things on his desk rather than sweeping around them.

Its prize obtained, Aurok expressed no further interest in crossing Seb’s desk. The scribe spent the rest of the daylight incorporating Aurok’s inky steps into the design. The end result, he had to admit, was quite harmonious.


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